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  <url>
    <loc>https://www.squinchmag.com/gallery-5</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2025-12-16</lastmod>
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  <url>
    <loc>https://www.squinchmag.com/gallery-5/too-close-for-comfort-rice</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/7be98123-96ce-4b92-954a-f9cf45fe19bf/RokebyVenus.jpg</image:loc>
      <image:title>Library - Too Close for Comfort - Make it stand out</image:title>
      <image:caption>Rokeby Venus or The Toilet of Venus, Venus at her Mirror, Venus and Cupid (c. 1647–51). Oil on canvas, 122 × 177 cm (48 × 49.7 in). National Gallery, London. © Diego Velázquez, Public domain, via Wikimedia Commons</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.squinchmag.com/gallery-5/art-and-endurance-reflections-on-perez-art-museum-miami</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/dcbb96ce-91a1-4235-b4fe-a55078993914/IMG_0902+%281%29.jpg</image:loc>
      <image:title>Library - Art and Endurance: Reflections on Pérez Art Museum Miami - Make it stand out</image:title>
      <image:caption>Image of the outside of the Pérez Art Museum Miami. All images courtesy of the writer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/f57db210-cc51-484f-8152-8e6b799c6624/IMG_0822.jpg</image:loc>
      <image:title>Library - Art and Endurance: Reflections on Pérez Art Museum Miami - Make it stand out</image:title>
      <image:caption>Closeup of the foliage surrounding PAMM’s entrance.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/42d57a4c-4f6a-421e-b056-5a3badd85bc1/IMG_0876.jpg</image:loc>
      <image:title>Library - Art and Endurance: Reflections on Pérez Art Museum Miami - Make it stand out</image:title>
      <image:caption>Hulda Guzmán, Under the Flamboyan, 2020. Acrylic gouache on canvas, 47 7/8 x 29 1/2 inches. Miami, PAMM.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/8c5f5718-5352-46ec-8f32-09c996ab324e/IMG_0894+%281%29.jpg</image:loc>
      <image:title>Library - Art and Endurance: Reflections on Pérez Art Museum Miami - Make it stand out</image:title>
      <image:caption>Alfredo Jaar, I Can’t Go On, I’ll Go On, 2016. Neon, 19 5/8 x 19 5/8 inches. Miami, PAMM.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.squinchmag.com/gallery-5/in-defence-of-the-embrace</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/ae9c6218-5598-4ce2-9595-85801aeb98c7/IMG_1525.jpg</image:loc>
      <image:title>Library - In Defense of “The Embrace” - Make it stand out</image:title>
      <image:caption>A photograph of Hank Willis Thomas’s The Embrace in Boston Common park, Boston, Massachusetts. Taken Feb. 5, 2023. All images courtesy of the writer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/5ed38a03-9ae7-446e-afcf-f1f859b5479c/IMG_1516+2.jpg</image:loc>
      <image:title>Library - In Defense of “The Embrace” - Make it stand out</image:title>
      <image:caption>Image of Dr. and Mrs. King’s grasped arms in Hank Willis Thomas’s The Embrace sculpture. Taken Feb. 5, 2023.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/9665643d-8a69-412c-93fd-dd2d72e41478/IMG_1542+2-3.jpg</image:loc>
      <image:title>Library - In Defense of “The Embrace” - Make it stand out</image:title>
      <image:caption>Photograph of Tyre Nichols’s memorial in Boston Common. Taken Feb. 5, 2023.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.squinchmag.com/gallery-5/2020/5/11/a-beacon-in-the-barracks-ba8pp-jldne</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/99d4fd70-e68a-4e5d-b21b-ba288422052c/Samantha+Nye+Profile.jpg</image:loc>
      <image:title>Library - Must be this Old to Ride: Reconciling Queer Desire and Age - Make it stand out</image:title>
      <image:caption>Photo: Samantha Nye. All images courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/108ba59d-ad46-443f-86a1-f492716a6f2b/Samantha+Nye%2C+1-800-Flowers%2C+oil+on+canvas%2C+53%E2%80%9D+x+85%E2%80%9D%2C+2022.+All+images+courtesy+of+the+artist..jpg</image:loc>
      <image:title>Library - Must be this Old to Ride: Reconciling Queer Desire and Age - Make it stand out</image:title>
      <image:caption>Samantha Nye, 1-800-Flowers, oil on canvas, 53” x 85”, 2022.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/f71a21d1-6ca8-40e9-b666-31ffa17c0be1/Samantha+Nye%2C+detail+2+from+1-800-Flowers%2C+oil+on+canvas%2C+2022..jpg</image:loc>
      <image:title>Library - Must be this Old to Ride: Reconciling Queer Desire and Age - Make it stand out</image:title>
      <image:caption>Samantha Nye, detail 2 from 1-800-Flowers, oil on canvas, 2022.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/f3e5a42d-8402-48a8-b93a-6a1c764e4123/Samantha+Nye%2C+Making+Fruit+Punch%2C+oil+on+canvas%2C+42%E2%80%9D+x+77%E2%80%9D%2C+2022..jpg</image:loc>
      <image:title>Library - Must be this Old to Ride: Reconciling Queer Desire and Age - Make it stand out</image:title>
      <image:caption>Samantha Nye, Making Fruit Punch, oil on canvas, 42” x 77”, 2022.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/ebea9c12-c3fa-4fba-8e39-2dc91cd46371/Samantha+Nye%2C+detail+1+from+Making+Fruit+Punch%2C+oil+on+canvas%2C+42%E2%80%9D+x+77%E2%80%9D%2C+2022..jpg</image:loc>
      <image:title>Library - Must be this Old to Ride: Reconciling Queer Desire and Age - Make it stand out</image:title>
      <image:caption>Samantha Nye, detail 1 from Making Fruit Punch, oil on canvas, 42” x 77”, 2022.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/74ad8e2e-34d4-4ccf-b9e0-8f2485296f76/Samantha+Nye%2C+detail+2+from+1-800-Flowers%2C+oil+on+canvas%2C+2022..jpg</image:loc>
      <image:title>Library - Must be this Old to Ride: Reconciling Queer Desire and Age - Make it stand out</image:title>
      <image:caption>Samantha Nye, detail 2 from 1-800-Flowers, oil on canvas, 2022.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/c9ee4c64-f51c-48fe-88c7-523e361cca82/Samantha+Nye%2C+Thirsty%3F%2C+oil+on+canvas%2C+33%E2%80%9D+x+66%E2%80%9D%2C+2022.+.jpg</image:loc>
      <image:title>Library - Must be this Old to Ride: Reconciling Queer Desire and Age - Make it stand out</image:title>
      <image:caption>Samantha Nye, Thirsty?, oil on canvas, 33” x 66”, 2022.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.squinchmag.com/gallery-5/2020/5/11/a-beacon-in-the-barracks-ba8pp</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-14</lastmod>
  </url>
  <url>
    <loc>https://www.squinchmag.com/gallery-5/2020/5/11/a-beacon-in-the-barracks-ba8pp-7xm3z</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/3ddb3a37-d31e-438a-bb6a-1d33f575df7c/starrynightedited.jpg</image:loc>
      <image:title>Library - A Rainy Day at the Museum of Modern Art - The Starry Night</image:title>
      <image:caption>Vincent Van Gogh, The Starry Night, 1889. Oil on canvas, 29.01 in × 36.26 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/da4654e4-185d-4153-8c54-647894b74e27/Screen+Shot+2022-10-17+at+1.12.51+PM.png</image:loc>
      <image:title>Library - A Rainy Day at the Museum of Modern Art - Les Demoiselles d’Avignon Paris</image:title>
      <image:caption>Pablo Picasso, Les Demoiselles d'Avignon, 1907. Oil on canvas, 96 in × 92 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/2de07baf-05b3-4f5c-8b39-3e4d399c74e0/Screen+Shot+2022-09-26+at+2.36.45+AM+%281%29+Small.jpeg</image:loc>
      <image:title>Library - A Rainy Day at the Museum of Modern Art - The Persistence of Memory</image:title>
      <image:caption>Salvador Dalí, The Persistence of Memory, 1931. Oil on Canvas, 9.5 in × 13 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/da264a97-c3f5-4b4d-b23e-5a7f664d94fe/Screen+Shot+2022-09-26+at+2.36.05+AM+Small.jpeg</image:loc>
      <image:title>Library - A Rainy Day at the Museum of Modern Art - Girl with Ball</image:title>
      <image:caption>Roy Lichtenstein, Girl with Ball, 1961. Oil on canvas, 60 in × 36.2 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/df49ddb1-a147-4a27-a10c-d300e6f8cae6/Image+10-17-22+at+1.21+PM.jpg</image:loc>
      <image:title>Library - A Rainy Day at the Museum of Modern Art - Campbell’s Soup Cans</image:title>
      <image:caption>Andy Warhol, Campbell Soup Cans, 1962. Canvas, synthetic polymer paint, 20 in x 16 in (each).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.squinchmag.com/gallery-5/2020/5/11/a-beacon-in-the-barracks</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1589237242787-LJC8040DTACAA5M5E6QC/001.jpg</image:loc>
      <image:title>Library - A Beacon in the Barracks</image:title>
      <image:caption>Citra Sasmita (pictured), Ode to The Sun, 2020. Courtesy Yeo Workshop.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1589237292714-18TF4AMHVWLHEPZUYBHE/IMG_0141.jpeg</image:loc>
      <image:title>Library - A Beacon in the Barracks</image:title>
      <image:caption>2 Cavan Road warehouse during installation. Photo by Cassie Sim.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1589237365805-2BZFZ99R2NIVNSEVW5PO/santi4.png</image:loc>
      <image:title>Library - A Beacon in the Barracks</image:title>
      <image:caption>Santi Wangchuan, My Local Way of Life, 2016. TWENTY TWENTY. Courtesy Yeo Workshop.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1589237465067-UE4HLIU7TURIL2APZ5F6/010.jpg</image:loc>
      <image:title>Library - A Beacon in the Barracks</image:title>
      <image:caption>Citra Sasmita, Ode to the Sun, 2020, Acrylic on Traditional Kamasan Canvas, approximately 300 cm x 300cm. Courtesy Yeo Workshop.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1589237532819-WIZAKY48R2MHXFZGUZZF/006.jpg</image:loc>
      <image:title>Library - A Beacon in the Barracks</image:title>
      <image:caption>Citra Sasmita, The Age of Fire, 2020, Acrylic on Traditional Kamasan Canvas, 70 x 90 cm. Courtesy Yeo Workshop.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1589237655509-8ENPEDVE15ZLRW4XS4Z0/IMG_0205.jpeg</image:loc>
      <image:title>Library - A Beacon in the Barracks</image:title>
      <image:caption>Gillman Barracks during the Singapore Biennale 2019. Photo by Cassie Sim.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.squinchmag.com/gallery-5/2019/3/28/on-the-materiality-of-painting-n9ey6</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1553809913830-PS66DE51Y3SL4YYAEG28/unnamed-3.jpg</image:loc>
      <image:title>Library - On the Materiality of Painting</image:title>
      <image:caption>Jackson Pollock, No. 2, 1950, mixed media on canvas, Harvard Art Museums/Fogg Museum, Mr. and Mrs. Reginald R. Isaacs and Family and Purchase through the Contemporary Art Fund © Pollock-Krasner Foundation / Artists Rights Society (ARS), New York ©President and Fellows of Harvard College.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1553810034933-802WP89Y19CMOY2SC7RK/unnamed.jpg</image:loc>
      <image:title>Library - On the Materiality of Painting</image:title>
      <image:caption>Mark Rothko, Untitled, 1947, oil on canvas, Harvard Art Museums/Fogg Museum, Gift of The Mark Rothko Foundation, Inc. © Kate Rothko Prizel &amp; Christopher Rothko / Artists Rights Society (ARS), New York ©President and Fellows of Harvard College.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1553809789413-6W6ITD62SLX6VP4FYEVX/unnamed-2.jpg</image:loc>
      <image:title>Library - On the Materiality of Painting</image:title>
      <image:caption>Josef Albers, Homage to the Square: Against Deep Blue, 1955, oil on masonite, Harvard Art Museums/Busch-Reisinger Museum, Anonymous gift © The Josef and Anni Albers Foundation/Artists Rights Society (ARS), New York ©President and Fellows of Harvard College.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.squinchmag.com/gallery-5/2020/1/17/detrimental-dichotomies-in-the-art-of-liu-guosong</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1579273759793-O8CTGZI2ZSA1ED433XGZ/fan-kuan.jpg</image:loc>
      <image:title>Library - Detrimental Dichotomies in the Art of Liu Guosong</image:title>
      <image:caption>An example of traditional Chinese painting: Fan Kuan, Traveling Among Streams and Mountains, c. 1000, Song Dynasty (960 – 1279), Hanging scroll, ink and light color on silk, 206.3 x 103.3 cm, National Palace Museum, Taipei.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1579273820123-3ANAW1Z1DOHMGXUAAODW/Mark-Rothko-Yellow-and-Blue-Painting.jpg</image:loc>
      <image:title>Library - Detrimental Dichotomies in the Art of Liu Guosong</image:title>
      <image:caption>An example of the Abstract Expressionism that influenced Liu: Mark Rothko, Detail from Untitled (Yellow and Blue), 1954, Oil on canvas, 242 cm x 186cm. Image courtesy of sothebys.com.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1579273864911-AUMI6JFEH716NWWTMHMS/Eclipse.png</image:loc>
      <image:title>Library - Detrimental Dichotomies in the Art of Liu Guosong</image:title>
      <image:caption>Liu Guosong, Eclipse, 1971, ink and color on paper, 120 x 519 cm. Image courtesy of liukuosung.org.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.squinchmag.com/gallery-5/2020/1/17/artwork-balances-hope-in-the-midst-of-upheaval</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1579273374462-KRJBGDO5WSZIN3YGPHSQ/The%2BDead%2BSea.jpg</image:loc>
      <image:title>Library - Artwork Balances Hope in the Midst of Upheaval</image:title>
      <image:caption>Kader Attia, La Mer Morte (The Dead Sea), 2015. Photo courtesy of Alyssa Goins.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.squinchmag.com/gallery-5/2019/11/30/the-material-world-of-the-chinese-bronze-age</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1575122325249-II978PMXE85FSNBMX53B/E8653CR-d1.jpg</image:loc>
      <image:title>Library - The Material World of the Chinese Bronze Age</image:title>
      <image:caption>Ritual food vessel (ding), Early Western Zhou dynasty, late 11th century B.C.E., cast bronze, Museum of Fine Arts Boston. Image courtesy of mfa.org.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1575122228923-F5TCQPI9FZZTFYY2URXC/1.jpg</image:loc>
      <image:title>Library - The Material World of the Chinese Bronze Age</image:title>
      <image:caption>Taotie motif diagram</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.squinchmag.com/gallery-5/2019/11/30/concerned-and-concerning-sanford-biggers-at-tufts</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1575121633666-PS6KT4U2FVBMH6DD6TRW/IMG_9258.JPG</image:loc>
      <image:title>Library - Concerned and Concerning: Sanford Biggers at Tufts</image:title>
      <image:caption>BAM (Seated Warrior), 2017. Courtesy of the artist and Marianne Boesky Gallery, New York and Aspen, and Monique Meloche Gallery, Chicago.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1575121706832-NO0PS6SRUDJB66X6SJDV/IMG_5978.JPG</image:loc>
      <image:title>Library - Concerned and Concerning: Sanford Biggers at Tufts</image:title>
      <image:caption>BAM (for Jordan), 2017; BAM (for Michael), 2016; BAM (for Terence), 2016; BAM (for Sandra), 2016. Courtesy the artist, Monique Meloche Gallery, Chicago, Marianne Boesky Gallery, New York and Aspen, and Massimo De Carlo, Milan/London/Hong Kong.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1575121764730-WRUOHX087CVW5SBS10UG/IMG_2703.JPG</image:loc>
      <image:title>Library - Concerned and Concerning: Sanford Biggers at Tufts</image:title>
      <image:caption>Infinite Tabernacle, 2017. Courtesy the artist, Monique Meloche Gallery, Chicago, Marianne Boesky Gallery, New York and Aspen, and Massimo De Carlo, Milan/London/Hong Kong.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.squinchmag.com/gallery-5/2019/9/24/finding-permanence-in-impermanence</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1569371578441-0C39SYSK28MWKKQZB12W/Modigliani.jpg</image:loc>
      <image:title>Library - Finding Permanence in Impermanence</image:title>
      <image:caption>Amedeo Modigliani, Madame Zborowska, 1918, oil on canvas, Tate Modern.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1569371306144-SNEADOM7OBA72NI3RDXG/Melendez.jpg</image:loc>
      <image:title>Library - Finding Permanence in Impermanence</image:title>
      <image:caption>Luis Meléndez, Still Life With Lemons and Oranges, 1772, oil on canvas, The National Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1569371494591-NBOCUMPUUPIIJ9D3SXFS/Monet.jpg</image:loc>
      <image:title>Library - Finding Permanence in Impermanence</image:title>
      <image:caption>Claude Monet, The Water-Lily Pond, 1899, oil on canvas, The National Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.squinchmag.com/gallery-5/2019/9/16/a-conversation-with-michelle-millar-fisher-of-art-museum-transparency</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1568689360875-DPM2CNEUZFC2GN7R1434/71296773_2233214146788286_4477926507603296256_n.jpg</image:loc>
      <image:title>Library - A Conversation with Michelle Millar Fisher of Art + Museum Transparency</image:title>
      <image:caption>Photo: Brigitte Lacombe</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.squinchmag.com/gallery-5/2019/8/5/mohamad-hafez-on-the-scale-of-grief-and-memory</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1565025561363-9MBJ2UI8NY7DBKIVDE9H/8C08C65D-CEBF-44FF-8CA2-C867F7C67C6B.jpeg</image:loc>
      <image:title>Library - Mohamad Hafez: On the Scale of Grief and Memory</image:title>
      <image:caption>Unsettled Nostalgia, 2014, 12 x 60 x 8 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1565025606841-EQUEQM5D6MYYF6PD4L4T/FD1A1F0B-6D63-4E46-B34B-C8B922D739D6.jpeg</image:loc>
      <image:title>Library - Mohamad Hafez: On the Scale of Grief and Memory</image:title>
      <image:caption>Framed Nostalgia 1, 2019, 31 x 37 x 10 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1565025639654-W53UM1JPB33PMEZYE7KY/D574CCEF-FBBC-4649-8458-913BEF333D39.jpeg</image:loc>
      <image:title>Library - Mohamad Hafez: On the Scale of Grief and Memory</image:title>
      <image:caption>Baggage #1, 2016, 24 x 24 x 12 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1565025705612-WMGOYVE5C4PE0JONX589/F8567F5E-3B1B-4507-939D-59C2B7A1F5E3.jpg</image:loc>
      <image:title>Library - Mohamad Hafez: On the Scale of Grief and Memory</image:title>
      <image:caption>Damascene Athan, 2018, 32 x 24 x 8 in.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.squinchmag.com/gallery-5/2019/2/15/discovering-fifty-days-at-iliam</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1550244818269-2HWB9V2ZHEZX704WRB1L/15360028270_1de9d19a0c_b.jpg</image:loc>
      <image:title>Library - Discovering Fifty Days at Iliam</image:title>
      <image:caption>Cy Twombly, Fifty Days at Iliam, 1978, oil, oil crayon, and graphite on canvas, Philadelphia Museum of Art. © Cy Twombly Foundation. Image courtesy of philamuseum.org.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.squinchmag.com/gallery-5/2019/1/24/projecting-the-canvas-bourse-de-bruxelles-and-latelier-des-lumires</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1548386465245-HFD8D3P3KU5VPRJUV75A/Klimt3.jpg</image:loc>
      <image:title>Library - Projecting the Canvas: Bourse de Bruxelles and L’Atelier des Lumières</image:title>
      <image:caption>Installation view of Gustav Klimt at L’Atelier des Lumières. © Culturespaces / E. Spiller. Image from TTT Magazine.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1548386251608-DBW2VYLGNP6IES41YN3N/feature_Klimt_theartgorgeous.jpg</image:loc>
      <image:title>Library - Projecting the Canvas: Bourse de Bruxelles and L’Atelier des Lumières</image:title>
      <image:caption>Installation view of Gustav Klimt at L’Atelier des Lumières. © Culturespaces / Nuit de Chine. Image from artnet.</image:caption>
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  </url>
  <url>
    <loc>https://www.squinchmag.com/gallery-5/2019/1/16/art-is-god-god-is-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1547652262945-X55EE4FOZVD7ZY1L6KBJ/unnamed.jpg</image:loc>
      <image:title>Library - The Metaphor of Art</image:title>
      <image:caption>Michelangelo, detail from Creation of Adam, 1508-1512, fresco, Sistine Chapel.</image:caption>
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  </url>
  <url>
    <loc>https://www.squinchmag.com/gallery-5/2019/1/2/supplementing-text-through-art-john-martins-seventh-plague-of-egypt</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1546462270975-5ZURNLG243VXKV8NYV17/image-asset.jpeg</image:loc>
      <image:title>Library - Supplementing Text Through Art: John Martin’s Seventh Plague of Egypt</image:title>
      <image:caption>John Martin, The Seventh Plague of Egypt, 1823, oil on canvas, Museum of Fine Arts Boston. Image courtesy of mfa.org.</image:caption>
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  </url>
  <url>
    <loc>https://www.squinchmag.com/gallery-5/2018/12/19/casanovas-europe-and-the-art-of-exhibition</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1545237239934-9HMA741BOZFWU6RLL73H/Screen+Shot+2018-12-19+at+11.29.28+AM.png</image:loc>
      <image:title>Library - "Casanova’s Europe" and the Art of Exhibition</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1545237239838-9JTPM7Q9JZB4SEGUY2Q1/Screen+Shot+2018-12-19+at+11.29.04+AM.png</image:loc>
      <image:title>Library - "Casanova’s Europe" and the Art of Exhibition</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1545237237217-HKKO3C0ZTKOCWJAXCFN0/Screen+Shot+2018-12-19+at+11.29.16+AM.png</image:loc>
      <image:title>Library - "Casanova’s Europe" and the Art of Exhibition</image:title>
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  </url>
  <url>
    <loc>https://www.squinchmag.com/gallery-5/2018/11/16/meet-beatrix-urkowitz-and-hal-gaucher-comic-artists-at-mice-2018</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1542380226771-7OXQKU7YKHGL7KWCZD4H/cover-back_1000.png</image:loc>
      <image:title>Library - Meet Beatrix Urkowitz and Hal Gaucher: Comic Artists at MICE 2018</image:title>
      <image:caption>1.</image:caption>
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    <image:image>
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      <image:title>Library - Meet Beatrix Urkowitz and Hal Gaucher: Comic Artists at MICE 2018</image:title>
      <image:caption>2.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1542380252730-HNELK8VGMABG9GNGDE43/page1_1000.png</image:loc>
      <image:title>Library - Meet Beatrix Urkowitz and Hal Gaucher: Comic Artists at MICE 2018</image:title>
      <image:caption>3.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1542380216086-2FRG3LWH0LCJIAG38L60/merged_1000.png</image:loc>
      <image:title>Library - Meet Beatrix Urkowitz and Hal Gaucher: Comic Artists at MICE 2018</image:title>
      <image:caption>4.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1542380984875-4BUW5TCGCX9NVNMVST8G/image-asset.jpeg</image:loc>
      <image:title>Library - Meet Beatrix Urkowitz and Hal Gaucher: Comic Artists at MICE 2018</image:title>
      <image:caption>1.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1542381029138-PN4X116P12LFBTZX9GCD/image-asset.jpeg</image:loc>
      <image:title>Library - Meet Beatrix Urkowitz and Hal Gaucher: Comic Artists at MICE 2018</image:title>
      <image:caption>2.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1542381060244-EZ1IW3WZ3Y37PH6SCCVA/image-asset.jpeg</image:loc>
      <image:title>Library - Meet Beatrix Urkowitz and Hal Gaucher: Comic Artists at MICE 2018</image:title>
      <image:caption>3.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1542381078039-731P9M14JC8SQUAV39KS/image-asset.png</image:loc>
      <image:title>Library - Meet Beatrix Urkowitz and Hal Gaucher: Comic Artists at MICE 2018</image:title>
      <image:caption>4.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.squinchmag.com/gallery-5/2018/11/12/the-male-presence-in-the-clarks-women-artists-in-paris-show-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1542028047161-KAWL1EQ9LH87XJEAOREZ/Bouguereau+2.JPG</image:loc>
      <image:title>Library - The Male Presence in The Clark’s "Women Artists in Paris" Show</image:title>
      <image:caption>Elizabeth Jane Gardner Bouguereau, La Confidence, c. 1880, oil on canvas mounted on aluminum, 68 x 47 1/8 in. Georgia Museum of Art, University of Georgia. Original gift of Mr. George Seney to the Lucy Cobb Institute, Athens, GA. GMOA 00.67. Courtesy of American Federation of Arts</image:caption>
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  </url>
  <url>
    <loc>https://www.squinchmag.com/gallery-5/2018/10/13/kwyfvovjkmce50gi03e1ah22b2c242</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-14</lastmod>
    <image:image>
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      <image:title>Library - Hampton Throne</image:title>
      <image:caption>Image courtesy of https://www.guideposts.org/better-living/life-advice/finding-life-purpose/james-hamptons-masterpiece-of-folk-art.</image:caption>
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    <image:image>
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      <image:title>Library - Hampton Throne</image:title>
      <image:caption>James Hampton, The Throne of the Third Heaven of the Nations' Millennium General Assembly, ca. 1950-1964, mixed media, Smithsonian American Art Museum, Gift of anonymous donors, 1970.353.1-.116. Image courtesy of www.ncptt.nps.gov/blog/james-hamptons-throne-of-the-third-heaven-of-the-nations-millennium-general-assembly/.</image:caption>
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  <url>
    <loc>https://www.squinchmag.com/gallery-5/2018/10/1/g0gplkhp560q2x4npuvh7hhca6czpr</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1538392485365-7KAP6M1VC29KOCLFT7RK/unnamed.jpg</image:loc>
      <image:title>Library - Selfies in the Museum</image:title>
      <image:caption>Selfie of the author Cadence Seeger</image:caption>
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  </url>
  <url>
    <loc>https://www.squinchmag.com/gallery-5/2018/9/13/a-conversation-with-anjali-shankar</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-14</lastmod>
    <image:image>
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      <image:title>Library - A Conversation with Anjali Shankar</image:title>
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    <image:image>
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      <image:title>Library - A Conversation with Anjali Shankar</image:title>
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    <image:image>
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      <image:title>Library - A Conversation with Anjali Shankar</image:title>
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    <image:image>
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      <image:title>Library - A Conversation with Anjali Shankar</image:title>
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    <image:image>
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      <image:title>Library - A Conversation with Anjali Shankar</image:title>
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    <image:image>
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      <image:title>Library - A Conversation with Anjali Shankar</image:title>
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    <image:image>
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      <image:title>Library - A Conversation with Anjali Shankar</image:title>
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  <url>
    <loc>https://www.squinchmag.com/gallery-5/2018/9/10/travel-guide-summer-art-highlights-in-israel</loc>
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    <priority>0.5</priority>
    <lastmod>2025-12-14</lastmod>
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      <image:title>Library - Travel Guide: Summer Art Highlights in Israel</image:title>
      <image:caption>Model of Jerusalem at the Israel Museum</image:caption>
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    <image:image>
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      <image:title>Library - Travel Guide: Summer Art Highlights in Israel</image:title>
      <image:caption>Bezalel BFA show poster</image:caption>
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    <image:image>
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      <image:title>Library - Travel Guide: Summer Art Highlights in Israel</image:title>
      <image:caption>Street art in Florentin</image:caption>
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  </url>
  <url>
    <loc>https://www.squinchmag.com/gallery-5/2018/8/20/gallery-5-show-allows-visitors-to-confront-their-traumas</loc>
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    <priority>0.5</priority>
    <lastmod>2025-12-14</lastmod>
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    <image:image>
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      <image:title>Library - Gallery 5 Show Allows Visitors to Confront their Traumas</image:title>
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    <image:image>
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      <image:title>Library - Gallery 5 Show Allows Visitors to Confront their Traumas</image:title>
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  <url>
    <loc>https://www.squinchmag.com/gallery-5/2018/8/20/the-honest-artist</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-14</lastmod>
  </url>
  <url>
    <loc>https://www.squinchmag.com/gallery-5/2018/8/20/friars-demons-and-saints-a-guide-to-the-met-cloisters</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-14</lastmod>
    <image:image>
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      <image:title>Library - Seeking Stillness at the MFA</image:title>
      <image:caption>Joan Mitchell, Chamonix, 1962, oil on canvas, Museum of Fine Arts Boston.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Library - Seeking Stillness at the MFA</image:title>
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    <image:image>
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      <image:title>Library - Seeking Stillness at the MFA</image:title>
    </image:image>
    <image:image>
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      <image:title>Library - Seeking Stillness at the MFA</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1534785180712-55X9244M2WWGHJMLWXYW/img_6296+2.jpg</image:loc>
      <image:title>Library - Seeking Stillness at the MFA</image:title>
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  <url>
    <loc>https://www.squinchmag.com/gallery-5/2018/8/20/marc-chagall-bringing-belarus-to-montreal</loc>
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    <priority>0.5</priority>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1534788305888-EBUV2FFD5JF32B275JP2/the+green+violinist.jpg</image:loc>
      <image:title>Library - Marc Chagall: Bringing Belarus to Montreal</image:title>
      <image:caption>The Green Violinist, 1923-24, oil on canvas, Solomon R. Guggenheim Museum © 2018 Artists Rights Society (ARS), New York / ADAGP, Paris.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1534788364083-9MQST4ZCT1A0HTUH4BP8/the+praying+jew294x294.jpg</image:loc>
      <image:title>Library - Marc Chagall: Bringing Belarus to Montreal</image:title>
      <image:caption>The Praying Jew, 1923, oil on canvas, Art Institute of Chicago. © 2018 Artists Rights Society (ARS), New York / ADAGP, Paris.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1534788437403-MA6COFXBQEYBBOL43770/grandfather+clock+with+a+blue+wing-crop-u28425.jpg</image:loc>
      <image:title>Library - Marc Chagall: Bringing Belarus to Montreal</image:title>
      <image:caption>Grandfather Clock with Blue Wing, 1949, oil and India ink, private collection. © SODRAC &amp; ADAGP 2017, Chagall.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1534788556683-NEG4P2DOUUKH134FI51M/the+dead+man.jpg</image:loc>
      <image:title>Library - Marc Chagall: Bringing Belarus to Montreal</image:title>
      <image:caption>The Dead Man, 1908, oil on canvas, Centre Pompidou.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.squinchmag.com/gallery-5/2018/8/20/friars-demons-and-saints-a-guide-to-the-met-cloisters-1</loc>
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    <image:image>
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      <image:title>Library - Friars, Demons, and Saints: a Guide to the Met Cloisters</image:title>
      <image:caption>Master of Belmonte, detail of Saint Michael, ca. 1450-1500, North Spanish, tempera and oil on wood, The Cloisters.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1534786276921-Z0R7K8HK920H491FRMWA/tomb+slab+of+a+friar.jpg</image:loc>
      <image:title>Library - Friars, Demons, and Saints: a Guide to the Met Cloisters</image:title>
      <image:caption>Detail of Tomb Slab of a Monk (Father Louis), 14th century, French, stone, The Cloisters.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1534786312099-UDT1MVG2J0MV0W6MMINO/reliquary+bust+of+saint+juliana.jpg</image:loc>
      <image:title>Library - Friars, Demons, and Saints: a Guide to the Met Cloisters</image:title>
      <image:caption>Circle of Giovanni de Bartolo, Reliquary Bust of Saint Juliana, ca. 1376, Italian, copper, gilding, gesso, and tempera paint, The Cloisters.</image:caption>
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    <image:image>
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      <image:title>Library - Friars, Demons, and Saints: a Guide to the Met Cloisters</image:title>
      <image:caption>Painted wood box with the Legend of Guilhem of Orange, ca. 1200–1225, Southern France, Walnut, paint, and iron mounts, private Collection, United Kingdom.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1534786390220-UKLQS29NII5HYBONG393/annunciation+triptych383x256.jpg</image:loc>
      <image:title>Library - Friars, Demons, and Saints: a Guide to the Met Cloisters</image:title>
      <image:caption>Workshop of Robert Campin, Annunciation Triptych (Merode Altarpiece), ca. 1427-32, South Netherlandish, oil on oak, The Cloisters.</image:caption>
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  <url>
    <loc>https://www.squinchmag.com/gallery-5/2018/8/20/sargent-art-installation</loc>
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    <lastmod>2025-12-14</lastmod>
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      <image:title>Library - Sargent Art Installation</image:title>
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      <image:title>Library - Sargent Art Installation</image:title>
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  <url>
    <loc>https://www.squinchmag.com/gallery-5/2018/8/20/a-note-on-the-mets-new-admissions-policy</loc>
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    <lastmod>2025-12-14</lastmod>
  </url>
  <url>
    <loc>https://www.squinchmag.com/gallery-5/2018/8/20/viewing-private-screening-buags-show-of-experimental-film</loc>
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    <priority>0.5</priority>
    <lastmod>2025-12-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1534789016751-SUIYT6CT2Z5RZGGK48ST/screen+shot+2017-11-25+at+123149+pm.jpg</image:loc>
      <image:title>Library - Viewing Private Screening, BUAG's Show of Experimental Film</image:title>
      <image:caption>Lani Asuncion, still from Vagabond, 2015.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1534789043451-SYEMO4XFYVBPBHC13LY5/screen+shot+2017-11-25+at+124013+pm.jpg</image:loc>
      <image:title>Library - Viewing Private Screening, BUAG's Show of Experimental Film</image:title>
      <image:caption>Siobhan Landry, still from A Place to Put Her, 2015.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1534789089578-AE2JENQW9VPERTR8FH3S/screen+shot+2017-11-25+at+122956+pm.jpg</image:loc>
      <image:title>Library - Viewing Private Screening, BUAG's Show of Experimental Film</image:title>
      <image:caption>Cailtin Duennebier, Smoking Lady, 2015</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1534789113090-EM22XQFG43NA1ZAFFM9S/screen+shot+2017-11-25+at+125149+pm.jpg</image:loc>
      <image:title>Library - Viewing Private Screening, BUAG's Show of Experimental Film</image:title>
      <image:caption>Neil Horsky, still from Voyages: Episode II, 2017.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1534789143873-G7Z88Y5RITY0XTDAYC3W/mevisageiidetmob.jpg</image:loc>
      <image:title>Library - Viewing Private Screening, BUAG's Show of Experimental Film</image:title>
      <image:caption>Amy Stacey Curtis, still from Visage II, 2016.</image:caption>
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    <image:image>
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      <image:title>Library - Viewing Private Screening, BUAG's Show of Experimental Film</image:title>
      <image:caption>Paul Belenky, still from Ball, 2016.</image:caption>
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    <image:image>
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      <image:title>Library - Viewing Private Screening, BUAG's Show of Experimental Film</image:title>
      <image:caption>Janet Loren Hill, still from It’s so hard, 2016.</image:caption>
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    <image:image>
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      <image:title>Library - Viewing Private Screening, BUAG's Show of Experimental Film</image:title>
      <image:caption>Michael Levy, still from Bigfoot Island, 2017.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1534789258356-VH2EF7EG8P0J97ZNSO9K/screen+shot+2017-11-25+at+22736+pm.jpg</image:loc>
      <image:title>Library - Viewing Private Screening, BUAG's Show of Experimental Film</image:title>
      <image:caption>Adm Lenz, still from I Looked, 2015.</image:caption>
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  </url>
  <url>
    <loc>https://www.squinchmag.com/gallery-5/2018/8/20/squinchy-holidays-gifts-for-your-weird-art-friend-chosen-by-a-weird-art-friend</loc>
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    <lastmod>2025-12-14</lastmod>
  </url>
  <url>
    <loc>https://www.squinchmag.com/gallery-5/2018/8/20/brian-murphy-the-happiness-sculptor</loc>
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    <lastmod>2025-12-14</lastmod>
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      <image:title>Library - Brian Murphy: The Happiness Sculptor</image:title>
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  </url>
  <url>
    <loc>https://www.squinchmag.com/gallery-5/2018/8/21/mark-thomas-gibson-at-bu-american-conquest-of-alternative-fine-art</loc>
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      <image:title>Library - Mark Thomas Gibson at BU:  American Conquest of Alternative Fine Art</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1534906457870-7XAFHX53VRHJI4Y36J5Q/some+monsters+3.jpg</image:loc>
      <image:title>Library - Mark Thomas Gibson at BU:  American Conquest of Alternative Fine Art</image:title>
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    <image:image>
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      <image:title>Library - Mark Thomas Gibson at BU:  American Conquest of Alternative Fine Art</image:title>
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  <url>
    <loc>https://www.squinchmag.com/gallery-5/2018/8/21/a-conversation-with-olivia-hamilton</loc>
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      <image:title>Library - A Conversation with Olivia Hamilton</image:title>
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    <image:image>
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      <image:title>Library - A Conversation with Olivia Hamilton</image:title>
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    <image:image>
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      <image:title>Library - A Conversation with Olivia Hamilton</image:title>
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    <image:image>
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      <image:title>Library - A Conversation with Olivia Hamilton</image:title>
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      <image:title>Library - A Conversation with Olivia Hamilton</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1534906338945-F54Z823JOFOR40TLP3D3/ham4-crop-u20963.jpg</image:loc>
      <image:title>Library - A Conversation with Olivia Hamilton</image:title>
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  <url>
    <loc>https://www.squinchmag.com/gallery-5/2018/8/20/12-video-artists-to-watch</loc>
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    <lastmod>2025-12-14</lastmod>
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      <image:title>Library - 12 Video Artists to Watch</image:title>
      <image:caption>A still from Center Jenny (2013) by Ryan Trecartin draws attention to the uncanny.</image:caption>
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  <url>
    <loc>https://www.squinchmag.com/gallery-5/2018/8/21/the-bu-art-galleries-innovation-on-campus</loc>
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      <image:title>Library - The BU Art Galleries: Innovation on Campus</image:title>
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      <image:title>Library - The BU Art Galleries: Innovation on Campus</image:title>
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      <image:title>Library - The BU Art Galleries: Innovation on Campus</image:title>
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      <image:title>Library - The BU Art Galleries: Innovation on Campus</image:title>
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    <image:image>
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      <image:title>Library - The BU Art Galleries: Innovation on Campus</image:title>
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      <image:title>Library - The BU Art Galleries: Innovation on Campus</image:title>
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    <loc>https://www.squinchmag.com/gallery-5/2018/8/21/upfordigital-an-online-media-centered-art-show</loc>
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      <image:title>Library - Upfor.Digital: An Online, Media-Centered Art Show</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1534905973544-Y64WL3ZQI628WILOVMZL/unnamed-4.jpg</image:loc>
      <image:title>Library - Upfor.Digital: An Online, Media-Centered Art Show</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1534905976062-SL3B62ZZC6W922L2OFFD/unnamed.jpg</image:loc>
      <image:title>Library - Upfor.Digital: An Online, Media-Centered Art Show</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1534906000993-H0ILLM2VIMAMD0MUV712/unnamed-3.jpg</image:loc>
      <image:title>Library - Upfor.Digital: An Online, Media-Centered Art Show</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1534906026730-8K33UYFLNAK3RUXKCXX8/unnamed-1.jpg</image:loc>
      <image:title>Library - Upfor.Digital: An Online, Media-Centered Art Show</image:title>
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  </url>
  <url>
    <loc>https://www.squinchmag.com/gallery-5/2018/8/21/we-just-fit-you-and-i-capturing-the-corporeal-in-architecture</loc>
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  <url>
    <loc>https://www.squinchmag.com/gallery-5/2018/8/21/parting-gifts-a-collectors-journey-through-postcards</loc>
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    <priority>0.5</priority>
    <lastmod>2025-12-14</lastmod>
    <image:image>
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      <image:title>Library - Parting Gifts: A Collector’s Journey Through Postcards</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1534906999748-0MCEC758AZY83ISTJ7CJ/img_1868+%281%29.jpg</image:loc>
      <image:title>Library - Parting Gifts: A Collector’s Journey Through Postcards</image:title>
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    <image:image>
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      <image:title>Library - Parting Gifts: A Collector’s Journey Through Postcards</image:title>
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  <url>
    <loc>https://www.squinchmag.com/gallery-5/2018/8/21/why-bother-with-art</loc>
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    <lastmod>2025-12-14</lastmod>
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      <image:title>Library - Why Bother with Art?</image:title>
      <image:caption>Excerpt from The Last Sweet Days of Isaac (1969) by Gretchen Cryer via Scribd</image:caption>
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      <image:caption>Photo of Knight Landesman taken by David Levene for The Guardian</image:caption>
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  <url>
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      <image:title>Library - Mark Rothko: Subliminal Messages</image:title>
      <image:caption>No. 9, 1948, oil and mixed media on canvas, National Gallery of Art. © 1998 Kate Rothko Prizel and Christopher Rothko.</image:caption>
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      <image:caption>No. 10, 1949, oil on canvas, National Gallery of Art. © 1998 Kate Rothko Prizel and Christopher Rothko.</image:caption>
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      <image:caption>No. 1, 1961, oil and acrylic on canvas, National Gallery of Art. © 1998 Kate Rothko Prizel and Christopher Rothko.</image:caption>
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  <url>
    <loc>https://www.squinchmag.com/gallery-5/2018/8/22/from-handlebars-to-horns</loc>
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      <image:caption>Little Girl Jumping Rope, 1950-1954, bronze, private collection. Source</image:caption>
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      <image:caption>Bull's Head, 1942, bicycle seat and handlebars, Musée Picasso. Source</image:caption>
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      <image:title>Library - From Handlebars to Horns</image:title>
      <image:caption>Baboon and Young, 1951, bronze, Museum of Modern Art. Source</image:caption>
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      <image:caption>Takashi Murakami, Dragon in Clouds—Red Mutation: The version I painted myself in annoyance after Professor Nobuo Tsuji told me, “Why don’t you paint something yourself for once?”, 2010, acrylic on canvas, ©Takashi Murakami/Kaikai Kiki Co., Ltd. All Rights Reserved. Image courtesy of mfa.org</image:caption>
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      <image:caption>Indigenous, Quiz, seen outside EMST on July 14, 2017.</image:caption>
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      <image:caption>Crapumenta 14, Frankly My Dear, I Don’t Give a Damn, seen outside the Odeon of Herodes Atticus on July 23, 2017.</image:caption>
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      <image:caption>Anonymous, Welcome and Enjoy the Ruins, seen from EMST on July 14, 2017.</image:caption>
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      <image:caption>Dana Schutz, Open Casket, 2016, oil on canvas, 99 x 135 cm, collection of the artist, courtesy of Whitney Museum.</image:caption>
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      <image:caption>Jordan Wolfson, installation view of Real violence, 2017, virtual reality headsets, high-definition video, color, sound, 2:25 min, 2017 Whitney Biennial, Collection of the artist, Courtesy David Zwirner, New York, and Sadie Coles HQ, London.</image:caption>
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      <image:caption>Pope.L, exterior installation view of Claim (Whitney Version), 2017, 2017 Whitney Biennial, collection of the artist, courtesy Mitchell-Innes &amp; Nash, New York.</image:caption>
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      <image:caption>Occupy Museums (Arthur Polendo, Imani Jacqueline Brown, Kenneth Pietrobono, Noah Fischer, and Tal Beery), installation view of Debtfair, 2017, 2017 Whitney Biennial, courtesy of Whitney Museum.</image:caption>
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      <image:caption>Irving Penn, Marlene Dietrich, 1948, gelatin silver print, National Portrait Gallery, © Conde Nast. Image from the National Portrait Gallery.</image:caption>
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      <image:caption>Romy Binstein Serenity Colored pencil on canvas 2022, 10” x 6”</image:caption>
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      <image:caption>Romy Binstein A Still Summer Acrylic, watercolor, and colored pencil on poster paper 2022, 22” x 28”</image:caption>
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      <image:caption>Romy Binstein Morning Sunlight Watercolor on canvas 2022</image:caption>
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    <loc>https://www.squinchmag.com/new-page-2</loc>
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      <image:title>New Page</image:title>
      <image:caption>A Face to the Name Oil on canvas</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1547906875015-802Y5CIDCE73ABZ4GH8G/1.%2BA%2BFace%2Bto%2Bthe%2BName_EHonan.jpg</image:loc>
      <image:title>New Page</image:title>
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      <image:title>New Page</image:title>
      <image:caption>A Face to the Name Oil on canvas</image:caption>
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  <url>
    <loc>https://www.squinchmag.com/riley-garrett</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-01-20</lastmod>
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      <image:title>Riley Garrett</image:title>
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      <image:title>Riley Garrett</image:title>
      <image:caption>Interplay</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1547908127970-NOPDDVYGF8WTBN46QUUA/1-8868+%281%29.jpg</image:loc>
      <image:title>Riley Garrett</image:title>
      <image:caption>Interplay Detail</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1547907979230-31Z0RJVTSHR5766D49C3/1-8868%2B%25281%2529.jpg</image:loc>
      <image:title>Riley Garrett</image:title>
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      <image:title>Riley Garrett</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1547908127970-NOPDDVYGF8WTBN46QUUA/1-8868+%281%29.jpg</image:loc>
      <image:title>Riley Garrett</image:title>
      <image:caption>Interplay Detail</image:caption>
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  <url>
    <loc>https://www.squinchmag.com/spring-issue-2019</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-05-12</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1559155411036-SY3DULTYQSBN7S9GDL3Z/Kinslow_2.jpg</image:loc>
      <image:title>Spring Issue, 2019</image:title>
      <image:caption>Invading Colony Monotype and vellum, 2018, 24" x 36".</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1559155614681-8EXNLIGE72U1VWD93V9S/Kinslow_1.jpg</image:loc>
      <image:title>Spring Issue, 2019</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1559156015550-O895S0NR58CAA48HMP6F/sofijachroneos1.jpg</image:loc>
      <image:title>Spring Issue, 2019</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1559156120336-1SHSOIU2G25OTM94RFPB/Caretaker.jpg</image:loc>
      <image:title>Spring Issue, 2019</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1559156213237-9V84SRIK46J98ZNG5E64/IMG_0389_polarr.jpg</image:loc>
      <image:title>Spring Issue, 2019</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1559156260991-LZ11SHB1L5XCZFKUR58B/Aquarium.jpg</image:loc>
      <image:title>Spring Issue, 2019</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1559156387720-JS2FXJIM4JJRTL48FS6E/Papillion.jpg</image:loc>
      <image:title>Spring Issue, 2019</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1559155411036-SY3DULTYQSBN7S9GDL3Z/Kinslow_2.jpg</image:loc>
      <image:title>Spring Issue, 2019</image:title>
      <image:caption>Invading Colony Monotype and vellum, 2018, 24" x 36".</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1559155614681-8EXNLIGE72U1VWD93V9S/Kinslow_1.jpg</image:loc>
      <image:title>Spring Issue, 2019</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1559156015550-O895S0NR58CAA48HMP6F/sofijachroneos1.jpg</image:loc>
      <image:title>Spring Issue, 2019</image:title>
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    <image:image>
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      <image:title>Spring Issue, 2019</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1559156213237-9V84SRIK46J98ZNG5E64/IMG_0389_polarr.jpg</image:loc>
      <image:title>Spring Issue, 2019</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1559156260991-LZ11SHB1L5XCZFKUR58B/Aquarium.jpg</image:loc>
      <image:title>Spring Issue, 2019</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1559156387720-JS2FXJIM4JJRTL48FS6E/Papillion.jpg</image:loc>
      <image:title>Spring Issue, 2019</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.squinchmag.com/interview-with-colleen-kinslow</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-06-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1559154771974-RZR61Q9SZUHQ09NZ554F/Kinslow_2.jpg</image:loc>
      <image:title>Interview with Colleen Kinslow</image:title>
      <image:caption>Invading Colony Monotype and vellum, 2018, 24" x 36".</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1559154713507-WS2B1IMBB5CC4U2ECFVV/Kinslow_1.jpg</image:loc>
      <image:title>Interview with Colleen Kinslow</image:title>
      <image:caption>Absent (who's the figure?) Monotype, 2018, 15" x 20".</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1559154856538-7MDLT116TA2MZY3TH742/Kinslow_3.jpg</image:loc>
      <image:title>Interview with Colleen Kinslow</image:title>
      <image:caption>Sister the Younger Monotype, 2018, 15" x 20".</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1559154884179-R2VZT1W1IHE1AWU6DEGY/Kinslow_5.jpg</image:loc>
      <image:title>Interview with Colleen Kinslow</image:title>
      <image:caption>Keyed Up Woven monotypes on BFK Rives and muslin, 2018, 39" x 36" (with fabric 56" x 36").</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1559154907086-KCCUYRW798WBP4YK3XU7/Kinslow_4.jpg</image:loc>
      <image:title>Interview with Colleen Kinslow</image:title>
      <image:caption>Estrogen Fueled Stupor Woodcut, 2018, 25" x 24".</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1559154949526-SW9RMI8PYTJ5YB8FYQ3Y/Kinslow_6.jpg</image:loc>
      <image:title>Interview with Colleen Kinslow</image:title>
      <image:caption>Pink Thing Woven monotype on stretchers. Stretchers: 10" x 14", paper: 16" x 14".</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1559154771974-RZR61Q9SZUHQ09NZ554F/Kinslow_2.jpg</image:loc>
      <image:title>Interview with Colleen Kinslow</image:title>
      <image:caption>Invading Colony Monotype and vellum, 2018, 24" x 36".</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1559154713507-WS2B1IMBB5CC4U2ECFVV/Kinslow_1.jpg</image:loc>
      <image:title>Interview with Colleen Kinslow</image:title>
      <image:caption>Absent (who's the figure?) Monotype, 2018, 15" x 20".</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1559154856538-7MDLT116TA2MZY3TH742/Kinslow_3.jpg</image:loc>
      <image:title>Interview with Colleen Kinslow</image:title>
      <image:caption>Sister the Younger Monotype, 2018, 15" x 20".</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1559154884179-R2VZT1W1IHE1AWU6DEGY/Kinslow_5.jpg</image:loc>
      <image:title>Interview with Colleen Kinslow</image:title>
      <image:caption>Keyed Up Woven monotypes on BFK Rives and muslin, 2018, 39" x 36" (with fabric 56" x 36").</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1559154907086-KCCUYRW798WBP4YK3XU7/Kinslow_4.jpg</image:loc>
      <image:title>Interview with Colleen Kinslow</image:title>
      <image:caption>Estrogen Fueled Stupor Woodcut, 2018, 25" x 24".</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1559154949526-SW9RMI8PYTJ5YB8FYQ3Y/Kinslow_6.jpg</image:loc>
      <image:title>Interview with Colleen Kinslow</image:title>
      <image:caption>Pink Thing Woven monotype on stretchers. Stretchers: 10" x 14", paper: 16" x 14".</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.squinchmag.com/sofija-chroneos</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-05-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1559150165672-KQ4FAZNL2F6KDUKYSOXK/sofijachroneos1.jpg</image:loc>
      <image:title>Sofija Chroneos</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1559150194409-U9UN0YSZZ70C493YKG9Q/sofijachroneos1.jpg</image:loc>
      <image:title>Sofija Chroneos</image:title>
      <image:caption>Cure Introvertism Digital media.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1559150213534-DTTY7Y96IGSM62OI0NKS/SofijaChroneos2.jpg</image:loc>
      <image:title>Sofija Chroneos</image:title>
      <image:caption>Bombay Bicycle Club Discography Digital Media.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1559150165672-KQ4FAZNL2F6KDUKYSOXK/sofijachroneos1.jpg</image:loc>
      <image:title>Sofija Chroneos</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1559150194409-U9UN0YSZZ70C493YKG9Q/sofijachroneos1.jpg</image:loc>
      <image:title>Sofija Chroneos</image:title>
      <image:caption>Cure Introvertism Digital media.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1559150213534-DTTY7Y96IGSM62OI0NKS/SofijaChroneos2.jpg</image:loc>
      <image:title>Sofija Chroneos</image:title>
      <image:caption>Bombay Bicycle Club Discography Digital Media.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.squinchmag.com/lyna-zidane-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-06-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1559150825701-VDEPBMEEYK15Q8TJQB3W/Zoo.jpg</image:loc>
      <image:title>Lyna Zidane S2019</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1559150846262-0SXT7715MBK92OD3HFUW/Zoo.jpg</image:loc>
      <image:title>Lyna Zidane S2019</image:title>
      <image:caption>Zoo Acrylic paint.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1559150904227-JZYGAZ9QO9P0XLB1WLZ6/Tard+un+Soir.jpg</image:loc>
      <image:title>Lyna Zidane S2019</image:title>
      <image:caption>Tard un Soir Acrylic paint.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1559150978950-ICTF3ZA9TARWTRK1BYLO/Sun+City.jpg</image:loc>
      <image:title>Lyna Zidane S2019</image:title>
      <image:caption>Sun City Acrylic paint.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1559151145470-DWQCHP8NRPHIAGGVF75C/Plucked.jpg</image:loc>
      <image:title>Lyna Zidane S2019</image:title>
      <image:caption>Plucked Oil pastels.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1559151356271-E13NQJXAKTO8C0W57ZUE/Apogee+of+Hats.jpg</image:loc>
      <image:title>Lyna Zidane S2019</image:title>
      <image:caption>Apogee of Hats Acrylic paint.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1559151362712-GHRL1LFBK1Y0BFCW5RU3/Caretaker.jpg</image:loc>
      <image:title>Lyna Zidane S2019</image:title>
      <image:caption>Caretaker Acrylic paint.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1559150825701-VDEPBMEEYK15Q8TJQB3W/Zoo.jpg</image:loc>
      <image:title>Lyna Zidane S2019</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1559150846262-0SXT7715MBK92OD3HFUW/Zoo.jpg</image:loc>
      <image:title>Lyna Zidane S2019</image:title>
      <image:caption>Zoo Acrylic paint.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1559150904227-JZYGAZ9QO9P0XLB1WLZ6/Tard+un+Soir.jpg</image:loc>
      <image:title>Lyna Zidane S2019</image:title>
      <image:caption>Tard un Soir Acrylic paint.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1559150978950-ICTF3ZA9TARWTRK1BYLO/Sun+City.jpg</image:loc>
      <image:title>Lyna Zidane S2019</image:title>
      <image:caption>Sun City Acrylic paint.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1559151145470-DWQCHP8NRPHIAGGVF75C/Plucked.jpg</image:loc>
      <image:title>Lyna Zidane S2019</image:title>
      <image:caption>Plucked Oil pastels.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1559151356271-E13NQJXAKTO8C0W57ZUE/Apogee+of+Hats.jpg</image:loc>
      <image:title>Lyna Zidane S2019</image:title>
      <image:caption>Apogee of Hats Acrylic paint.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1559151362712-GHRL1LFBK1Y0BFCW5RU3/Caretaker.jpg</image:loc>
      <image:title>Lyna Zidane S2019</image:title>
      <image:caption>Caretaker Acrylic paint.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.squinchmag.com/julia-obrien</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-06-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1559151707153-P83QNRCSCBYF4XC6MZAD/IMG_0389_polarr.jpg</image:loc>
      <image:title>Julia O'Brien</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1559151728170-WU2FNYY6LXBTCHQTS3H2/IMG_0389_polarr.jpg</image:loc>
      <image:title>Julia O'Brien</image:title>
      <image:caption>Fade Oil on canvas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1559151764852-TMGOYA53T48GWIZLTSCO/IMG_0714_polarr.jpg</image:loc>
      <image:title>Julia O'Brien</image:title>
      <image:caption>October 2003 Acrylic on canvas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1559151812972-JPA8TTAZ3JHZRXZFI6TY/IMG_1738_polarr.jpg</image:loc>
      <image:title>Julia O'Brien</image:title>
      <image:caption>Somewhere Oil on canvas.</image:caption>
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    <image:image>
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      <image:title>Julia O'Brien</image:title>
      <image:caption>The Collector: Views from the End of Maida Road Oil paint on secondhand plates.</image:caption>
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      <image:title>Andy Burgess</image:title>
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      <image:caption>Power Imbalance Acrylic and pen.</image:caption>
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      <image:title>Andy Burgess</image:title>
      <image:caption>Commodity Acrylic and pen.</image:caption>
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      <image:caption>Axolotl Colored pencil and pen.</image:caption>
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      <image:title>Andy Burgess</image:title>
      <image:caption>Scribe Acrylic, marker, and pen.</image:caption>
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      <image:title>Andy Burgess</image:title>
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    <lastmod>2019-05-29</lastmod>
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      <image:title>Amina Zidane S2019</image:title>
      <image:caption>Effervescent Milk paint, acrylic, oil, marker.</image:caption>
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      <image:caption>Lucioles Milk paint, acrylic, oil, marker, ink.</image:caption>
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      <image:caption>Papillion Milk paint, acrylic, ink, and marker.</image:caption>
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      <image:caption>Dematerialized Ink, acrylic, guache, marker.</image:caption>
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      <image:caption>Octopus's Garden Acrylic, ink, and marker.</image:caption>
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      <image:caption>Papillion Milk paint, acrylic, ink, and marker.</image:caption>
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    <image:image>
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      <image:title>Amina Zidane S2019</image:title>
      <image:caption>Storm Milk paint, acrylic, oil, marker.</image:caption>
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      <image:title>Resurrection Issue, Fall 2022 - RESURRECTION ‘22</image:title>
      <image:caption>Squinch Magazine 2022 Fall Issue</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.squinchmag.com/art</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-12-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/c09f2cb0-d400-45f3-824b-c8b251764552/Copy+of+Serenity+%281%29.jpg</image:loc>
      <image:title>Res Art - Romy Binstein | Serenity | From “Moments of Quiet” | colored pencil on canvas | 2022 | 10” x 6”</image:title>
      <image:caption>From the artist: Serenity is the first of four works in my series, “Moments of Quiet.” The work uses water to convey the feelings experienced during a moment in life. The silence that follows sinking your head underwater illustrates the relieving moments unbothered by deadlines, responsibilities, and commitments. Produced only with shades of blue exemplifies the coherence in the self-revitalizing feeling.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/c773d165-f1f0-490e-98ae-615d857b6d26/unnamed+%281%29.jpg</image:loc>
      <image:title>Res Art - Hector Rivera | Mother and daughter | l ead on paper | 2022 | 11” x 14”.</image:title>
      <image:caption>From the artist: Depicting the Virgin Mary with an aura of darkness, I attempt to reject my culture’s conventional values that generalize women as a symbol of purity. Introduced by European colonizers as a symbol of femininity, The Virgin Mary exposes patriarchal undertones that prize virginal purity rather than Mary’s importance and power. However, once that conformity is rejected, Mary becomes autonomous over her own image, no longer just a mother to a son. Ultimately, it is up to you in your interpretation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/3fda9ec7-ddeb-43bc-988c-9bf5abfab689/toxic+contamination+-+priority.jpeg</image:loc>
      <image:title>Res Art - Francesca Ross | Toxic Contamination | Bleach on photograph | 2022, 18” x 12” | Bath, England</image:title>
      <image:caption>From the artist: The use of bleaching and the addition of overlaying words obscure the presentation of the photograph, emphasizing the likely future we face and our contribution toward it. Leaving vehicles and industrial buildings unbleached adds to the difficulty for you to distance yourself from acknowledging your role in contributing. This work is meant to disturb you, to leave a lasting presence in your mind.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/9a06704b-c5da-4efc-8eae-0d5e5b81816d/Copy+of+A+Still+Summer.jpg</image:loc>
      <image:title>Res Art - Romy Binstein | A Still Summer | From “Moments of Quiet” | Acrylic, watercolor, and colored pencil on poster paper | 2022 | 22” x 28”</image:title>
      <image:caption>From the artist: The third piece in my four-part series, “Moments of Quiet,” A Still Summer shares the little moment of still silence that allows us to recharge in a contemporary fast-paced life. The painting represents a slow breath through the imperfect lines and blended edges while you take in your surroundings to feel content in the little flashes of solitude.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/998a1f8a-94c0-47c4-864b-6c41ec25d0c8/Copy+of+cupfrogedit2LR-Enhanced.jpg</image:loc>
      <image:title>Res Art - Henry Backus | Cup Frog | Charcoal on paper | 2022</image:title>
      <image:caption>Henry Backus Cup Forged Charcoal on paper 2022 From the artist: I offer a piece of myself through my work. My goal isn’t to convince or upset but to discuss perspectives typically seen as different or irregular. I operate through positive nihilism and expose my audience with blasphemous symbols. For those who reject or are speculative conformity, they mean the opposite of what I’ve been raised to think. They provide the opportunity to break free from conventional ideologies of conformity and control.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/041b3417-2cde-4d87-b779-da20a9f9d4a0/cracks+of+Apollo+%282%29.jpg</image:loc>
      <image:title>Res Art - Deniz Bora | CRACKS OF APOLLO | black-and-white digital photograph | 2022 | 2022, 1539 x 2329 pixels | Didyma, Turkey</image:title>
      <image:caption>Cracks of Apollo black-and-white digital photograph 2022, 1539 x 2329 pixels Didyma, Turkey</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/2953e663-e527-4ac0-bc4d-4ca659721829/solemn+%282%29.jpg</image:loc>
      <image:title>Res Art - Solemn | black-and-white digital photograph | 2022 | 1926 x 2481 pixels | Teos, Turkey</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/c09f2cb0-d400-45f3-824b-c8b251764552/Copy+of+Serenity+%281%29.jpg</image:loc>
      <image:title>Res Art - Romy Binstein | Serenity | From “Moments of Quiet” | colored pencil on canvas | 2022 | 10” x 6”</image:title>
      <image:caption>From the artist: Serenity is the first of four works in my series, “Moments of Quiet.” The work uses water to convey the feelings experienced during a moment in life. The silence that follows sinking your head underwater illustrates the relieving moments unbothered by deadlines, responsibilities, and commitments. Produced only with shades of blue exemplifies the coherence in the self-revitalizing feeling.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/c773d165-f1f0-490e-98ae-615d857b6d26/unnamed+%281%29.jpg</image:loc>
      <image:title>Res Art - Hector Rivera | Mother and daughter | l ead on paper | 2022 | 11” x 14”.</image:title>
      <image:caption>From the artist: Depicting the Virgin Mary with an aura of darkness, I attempt to reject my culture’s conventional values that generalize women as a symbol of purity. Introduced by European colonizers as a symbol of femininity, The Virgin Mary exposes patriarchal undertones that prize virginal purity rather than Mary’s importance and power. However, once that conformity is rejected, Mary becomes autonomous over her own image, no longer just a mother to a son. Ultimately, it is up to you in your interpretation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/3fda9ec7-ddeb-43bc-988c-9bf5abfab689/toxic+contamination+-+priority.jpeg</image:loc>
      <image:title>Res Art - Francesca Ross | Toxic Contamination | Bleach on photograph | 2022, 18” x 12” | Bath, England</image:title>
      <image:caption>From the artist: The use of bleaching and the addition of overlaying words obscure the presentation of the photograph, emphasizing the likely future we face and our contribution toward it. Leaving vehicles and industrial buildings unbleached adds to the difficulty for you to distance yourself from acknowledging your role in contributing. This work is meant to disturb you, to leave a lasting presence in your mind.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/9a06704b-c5da-4efc-8eae-0d5e5b81816d/Copy+of+A+Still+Summer.jpg</image:loc>
      <image:title>Res Art - Romy Binstein | A Still Summer | From “Moments of Quiet” | Acrylic, watercolor, and colored pencil on poster paper | 2022 | 22” x 28”</image:title>
      <image:caption>From the artist: The third piece in my four-part series, “Moments of Quiet,” A Still Summer shares the little moment of still silence that allows us to recharge in a contemporary fast-paced life. The painting represents a slow breath through the imperfect lines and blended edges while you take in your surroundings to feel content in the little flashes of solitude.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/998a1f8a-94c0-47c4-864b-6c41ec25d0c8/Copy+of+cupfrogedit2LR-Enhanced.jpg</image:loc>
      <image:title>Res Art - Henry Backus | Cup Frog | Charcoal on paper | 2022</image:title>
      <image:caption>Henry Backus Cup Forged Charcoal on paper 2022 From the artist: I offer a piece of myself through my work. My goal isn’t to convince or upset but to discuss perspectives typically seen as different or irregular. I operate through positive nihilism and expose my audience with blasphemous symbols. For those who reject or are speculative conformity, they mean the opposite of what I’ve been raised to think. They provide the opportunity to break free from conventional ideologies of conformity and control.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/041b3417-2cde-4d87-b779-da20a9f9d4a0/cracks+of+Apollo+%282%29.jpg</image:loc>
      <image:title>Res Art - Deniz Bora | CRACKS OF APOLLO | black-and-white digital photograph | 2022 | 2022, 1539 x 2329 pixels | Didyma, Turkey</image:title>
      <image:caption>Cracks of Apollo black-and-white digital photograph 2022, 1539 x 2329 pixels Didyma, Turkey</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/2953e663-e527-4ac0-bc4d-4ca659721829/solemn+%282%29.jpg</image:loc>
      <image:title>Res Art - Solemn | black-and-white digital photograph | 2022 | 1926 x 2481 pixels | Teos, Turkey</image:title>
    </image:image>
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  <url>
    <loc>https://www.squinchmag.com/new-page-72</loc>
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    <lastmod>2022-12-12</lastmod>
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  <url>
    <loc>https://www.squinchmag.com/art-copy</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2022-12-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/c09f2cb0-d400-45f3-824b-c8b251764552/Copy+of+Serenity+%281%29.jpg</image:loc>
      <image:title>Art (Copy) - Romy Binstein | Serenity | From “Moments of Quiet” | colored pencil on canvas | 2022 | 10” x 6”</image:title>
      <image:caption>From the artist: Serenity is the first of four works in my series, “Moments of Quiet.” The work uses water to convey the feelings experienced during a moment in life. The silence that follows sinking your head underwater illustrates the relieving moments unbothered by deadlines, responsibilities, and commitments. Produced only with shades of blue exemplifies the coherence in the self-revitalizing feeling.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/3fda9ec7-ddeb-43bc-988c-9bf5abfab689/toxic+contamination+-+priority.jpeg</image:loc>
      <image:title>Art (Copy) - Francesca Ross | Toxic Contamination | Bleach on photograph | 2022, 18” x 12” | Bath, England</image:title>
      <image:caption>From the artist: The use of bleaching and the addition of overlaying words obscure the presentation of the photograph, emphasizing the likely future we face and our contribution toward it. Leaving vehicles and industrial buildings unbleached adds to the difficulty for you to distance yourself from acknowledging your role in contributing. This work is meant to disturb you, to leave a lasting presence in your mind.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/9a06704b-c5da-4efc-8eae-0d5e5b81816d/Copy+of+A+Still+Summer.jpg</image:loc>
      <image:title>Art (Copy) - Romy Binstein | A Still Summer | From “Moments of Quiet” | Acrylic, watercolor, and colored pencil on poster paper | 2022 | 22” x 28”</image:title>
      <image:caption>From the artist: The third piece in my four-part series, “Moments of Quiet,” A Still Summer shares the little moment of still silence that allows us to recharge in a contemporary fast-paced life. The painting represents a slow breath through the imperfect lines and blended edges while you take in your surroundings to feel content in the little flashes of solitude.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Art (Copy) - Henry Backus | Cup Frog | Charcoal on paper | 2022</image:title>
      <image:caption>Henry Backus Cup Forged Charcoal on paper 2022 From the artist: I offer a piece of myself through my work. My goal isn’t to convince or upset but to discuss perspectives typically seen as different or irregular. I operate through positive nihilism and expose my audience with blasphemous symbols. For those who reject or are speculative conformity, they mean the opposite of what I’ve been raised to think. They provide the opportunity to break free from conventional ideologies of conformity and control.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/c773d165-f1f0-490e-98ae-615d857b6d26/unnamed+%281%29.jpg</image:loc>
      <image:title>Art (Copy) - Hector Rivera | Mother and daughter | l ead on paper | 2022 | 11” x 14”.</image:title>
      <image:caption>From the artist: Depicting the Virgin Mary with an aura of darkness, I attempt to reject my culture’s conventional values that generalize women as a symbol of purity. Introduced by European colonizers as a symbol of femininity, The Virgin Mary exposes patriarchal undertones that prize virginal purity rather than Mary’s importance and power. However, once that conformity is rejected, Mary becomes autonomous over her own image, no longer just a mother to a son. Ultimately, it is up to you in your interpretation.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Art (Copy) - Deniz Bora | CRACKS OF APOLLO | black-and-white digital photograph | 2022 | 2022, 1539 x 2329 pixels | Didyma, Turkey</image:title>
      <image:caption>Cracks of Apollo black-and-white digital photograph 2022, 1539 x 2329 pixels Didyma, Turkey</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/2953e663-e527-4ac0-bc4d-4ca659721829/solemn+%282%29.jpg</image:loc>
      <image:title>Art (Copy) - Solemn | black-and-white digital photograph | 2022 | 1926 x 2481 pixels | Teos, Turkey</image:title>
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    <loc>https://www.squinchmag.com/romy-binstein</loc>
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    <lastmod>2023-12-21</lastmod>
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      <image:caption>Photo: Romy Binstein</image:caption>
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      <image:title>Romy Binstein</image:title>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Samantha Nye, Making Fruit Punch, oil on canvas, 42” x 77”, 2022.</image:caption>
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      <image:title>Res Articles - Make it stand out</image:title>
      <image:caption>Samantha Nye, Thirsty?, oil on canvas, 33” x 66”, 2022.</image:caption>
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      <image:caption>Photo: Emma Shearburn</image:caption>
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      <image:title>Res Articles</image:title>
      <image:caption>All images courtesy of the writer.</image:caption>
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      <image:title>Res Articles - TWO</image:title>
      <image:caption>Pablo Picasso, Les Demoiselles d'Avignon, 1907. oil on canvas, 96 IN × 92 IN.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/2de07baf-05b3-4f5c-8b39-3e4d399c74e0/Screen+Shot+2022-09-26+at+2.36.45+AM+%281%29+Small.jpeg</image:loc>
      <image:title>Res Articles - Three</image:title>
      <image:caption>Salvador Dalí, The Persistence of Memory, 1931. Oil on Canvas, 9.5 in × 13 in.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/41796967-a674-4ba2-b6e8-54a1db09cdf9/Screen+Shot+2022-09-26+at+2.36.05+AM+Small.jpg</image:loc>
      <image:title>Res Articles - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Res Articles - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Photo: Deniz Bora</image:caption>
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      <image:caption>Photo: Samantha Nye. All images courtesy of the artist.</image:caption>
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      <image:caption>Photo: Hilary Hagen</image:caption>
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      <image:title>Res Articles - Make it stand out</image:title>
      <image:caption>Samantha Nye, detail 1 from Making Fruit Punch, oil on canvas, 42” x 77”, 2022.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/2a384a28-0624-4784-8bd6-3ebb947283de/image1.jpg</image:loc>
      <image:title>Res Articles - Make it stand out</image:title>
      <image:caption>Samantha Nye, detail 3 from 1-800-Flowers, oil on canvas, 2022.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/5d6b4c55-8166-46f1-9d89-b74c046670a7/image7.jpg</image:loc>
      <image:title>Res Articles - Make it stand out</image:title>
      <image:caption>Samantha Nye, detail 2 from 1-800-Flowers, oil on canvas, 2022.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/c474a0b4-92df-4c98-8878-6b50ba4d24a4/image2.jpg</image:loc>
      <image:title>Res Articles - Make it stand out</image:title>
      <image:caption>Samantha Nye, 1-800-Flowers, oil on canvas, 53” x 85”, 2022.</image:caption>
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      <image:title>Res Articles - Make it stand out</image:title>
      <image:caption>Samantha Nye, Making Fruit Punch, oil on canvas, 42” x 77”, 2022.</image:caption>
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      <image:title>Res Articles - Make it stand out</image:title>
      <image:caption>Samantha Nye, Thirsty?, oil on canvas, 33” x 66”, 2022.</image:caption>
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      <image:caption>Photo: Emma Shearburn</image:caption>
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      <image:title>Res Articles</image:title>
      <image:caption>All images courtesy of the writer.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1666035816805-NAER6YDL8H5UBAVPTIUI/Les+Demoiselles+d%27Avignon</image:loc>
      <image:title>Res Articles - TWO</image:title>
      <image:caption>Pablo Picasso, Les Demoiselles d'Avignon, 1907. oil on canvas, 96 IN × 92 IN.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/2de07baf-05b3-4f5c-8b39-3e4d399c74e0/Screen+Shot+2022-09-26+at+2.36.45+AM+%281%29+Small.jpeg</image:loc>
      <image:title>Res Articles - Three</image:title>
      <image:caption>Salvador Dalí, The Persistence of Memory, 1931. Oil on Canvas, 9.5 in × 13 in.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/41796967-a674-4ba2-b6e8-54a1db09cdf9/Screen+Shot+2022-09-26+at+2.36.05+AM+Small.jpg</image:loc>
      <image:title>Res Articles - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Res Articles - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>SALVATION ISSUE, FALL 2023 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>SALVATION ISSUE, FALL 2023 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Photo: Lauren Glogoff</image:caption>
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      <image:title>Letter from the Editor SALVATION - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.squinchmag.com/res-art-copy</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-12-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/3a50d639-4aa0-4ab6-a321-96ec9db4398f/20221212_103700.jpg</image:loc>
      <image:title>Sal Art - Romy Binstein | Peace of Emotions, from “Piece of Emotions” series | 2023 | Sculpture, clay, wire, and watercolor | 10" x 6" x 4"</image:title>
      <image:caption>Henry Backus Cup Forged Charcoal on paper 2022 From the artist: I offer a piece of myself through my work. My goal isn’t to convince or upset but to discuss perspectives typically seen as different or irregular. I operate through positive nihilism and expose my audience with blasphemous symbols. For those who reject or are speculative conformity, they mean the opposite of what I’ve been raised to think. They provide the opportunity to break free from conventional ideologies of conformity and control.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/faa49b57-46b1-4284-9002-48142d106a68/16th+of+september.jpg</image:loc>
      <image:title>Sal Art - Kayla Palmer | 16th of September | 2023 | Oil on canvas | 6' x 6'</image:title>
      <image:caption>On September 16th, 2022, Mahsa Amini was killed for not abiding by the hijab mandate, sparking mass protests within Iran and around the globe. Now over a year later, the protests persist, as Iranian citizens continue to risk their lives for those oppressed by the regime and the many lives that have been lost. The artwork reads “Women, Life, Freedom” in Farsi, a phrase created at the start of the protest movement, seeking to affirm the rights and liberties of women in all aspects of life.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/234e3f6a-5e3a-441b-8e52-7a71a2c67ba1/window.black.jpg</image:loc>
      <image:title>Sal Art - Romy Binstein | Breaking the Cycle, from “Piece of Emotions” series | 2023 | Acrylic paint, paper, canvas, and clay | 8" x 10"</image:title>
      <image:caption>Cracks of Apollo black-and-white digital photograph 2022, 1539 x 2329 pixels Didyma, Turkey</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/b06c116b-a801-40ac-b03c-95328fc001ca/File_000.png</image:loc>
      <image:title>Sal Art - Esme Allgood | Exposed Nerve | 2022 | Wire | 34” x 10”</image:title>
      <image:caption>With the concept of the body and its limits in mind, Exposed Nerve was inspired by the constriction and mechanics of only working with wire.  Exposed Nerve acts as a physical demonstration of the pressures, guidances, and restrictions present in the artist's life.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/56ccce2d-c3e7-4d12-921a-29d96d490923/State+of+Mind.JPG</image:loc>
      <image:title>Sal Art - George Stoica | State of Mind | 2023 | Oil on canvas | 9” x 12”</image:title>
      <image:caption>Inspired by the natural scenery expereinced during the artist's everyday walks outside, State of Mind spawns from a need to pay homage to the natural world, to document the flora around him as reflecting his tranquil experience taking it in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/d696d00f-f8dd-46e6-8de6-298567b6f45e/File_000.jpg</image:loc>
      <image:title>Sal Art - Romy Binstein | Flowering Anguish, from “Piece of Emotions” series | 2023 | Mixed media with canvas - wire, paper, and charcoal | 8" x 10"</image:title>
      <image:caption>Flowering Anguish is the contrasting piece to Serenity, a work featured in Squinch's 2022, Resurrection issue, and a part of Binstein's “Piece of Emotions” series. Serenity portrays a woman in water. It serves as a reminder that there is no such thing as a straight-lined path in life. Eventually, obsticles appear. Flowering Anguish represents the blossoming of one's soul that can occur when they finally allow themself to experience all their emotions.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/a3190c9a-42ac-4364-abfb-87b4affa3337/20221226_100935.jpg</image:loc>
      <image:title>Sal Art - Romy Binstein | Beautiful Confinement 1 | 2023 | Digital Photography | 4000 × 2250 pixels</image:title>
      <image:caption>These photographs contemplate the manufacturing of artificial paradises in the enclosures at the Arizona Zoo. Animals live longer in captivity than in the wild. But they are still captives, destined to forever live a liminal existence; their lives are in the hands of another species. Ask yourself, who is their enclosure's design for? Those inhabiting, or those visiting? Does it enhance our experience, or does it point toward the environment they will never know?</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/f1ab3b18-0bb5-476b-befa-a12961d61f93/20221226_101039.jpg</image:loc>
      <image:title>Sal Art - Romy Binstein | Beautiful Confinement 2 | 2023 | Digital Photography | 4000 × 2250 pixels</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/72255e37-6561-43b0-99dd-6082e8ef0697/Love2.0+%281%29.png</image:loc>
      <image:title>Sal Art - Lauren Boysa | Untitled Love | 2023 | Oil on stretched canvas | 40" x 47"</image:title>
      <image:caption>In Lauren Boysa’s current work, she prefers to work with saturated colors in oil paint on canvas and works with combining themes of nature and culture to portray a harmonious environment. In these current works, this oneness is expressed through human-animal creatures living an ordinary life. By referencing her own life when creating these compositions, she hopes others can connect and get lost in the universal experience of every piece.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/e7de1e44-5d08-40d5-a207-c216ec7cc26d/%D8%AC%D8%A7%D9%86%D9%85.jpg</image:loc>
      <image:title>Sal Art - Kayla Palmer | (My Dear) جا نم | Oil on canvas | 2023 | 12" x 16"</image:title>
      <image:caption>jfewkf fjf</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/6f0e1cf3-ac83-48cc-bf46-364467ea729b/can+you+feel+my+love+now.jpg</image:loc>
      <image:title>Sal Art - Kayla Palmer | Can You Fell My Love Now? | 2023 | Gauche and Oil on canvas | 11" x 14".</image:title>
      <image:caption>Can You Feel My Love Now? portrays one’s attempt at trying to preserve the memory of a loved one after their passing. This act of preservation takes the soul on a path of reconciliation with feelings of guilt; having not shown someone the full extent of their love while they were still alive. Through various symbols, the work depicts one’s trials at trying to communicate with someone who is no longer here, in hopes that their love will reach them.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/3a50d639-4aa0-4ab6-a321-96ec9db4398f/20221212_103700.jpg</image:loc>
      <image:title>Sal Art - Romy Binstein | Peace of Emotions, from “Piece of Emotions” series | 2023 | Sculpture, clay, wire, and watercolor | 10" x 6" x 4"</image:title>
      <image:caption>Henry Backus Cup Forged Charcoal on paper 2022 From the artist: I offer a piece of myself through my work. My goal isn’t to convince or upset but to discuss perspectives typically seen as different or irregular. I operate through positive nihilism and expose my audience with blasphemous symbols. For those who reject or are speculative conformity, they mean the opposite of what I’ve been raised to think. They provide the opportunity to break free from conventional ideologies of conformity and control.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/faa49b57-46b1-4284-9002-48142d106a68/16th+of+september.jpg</image:loc>
      <image:title>Sal Art - Kayla Palmer | 16th of September | 2023 | Oil on canvas | 6' x 6'</image:title>
      <image:caption>On September 16th, 2022, Mahsa Amini was killed for not abiding by the hijab mandate, sparking mass protests within Iran and around the globe. Now over a year later, the protests persist, as Iranian citizens continue to risk their lives for those oppressed by the regime and the many lives that have been lost. The artwork reads “Women, Life, Freedom” in Farsi, a phrase created at the start of the protest movement, seeking to affirm the rights and liberties of women in all aspects of life.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/234e3f6a-5e3a-441b-8e52-7a71a2c67ba1/window.black.jpg</image:loc>
      <image:title>Sal Art - Romy Binstein | Breaking the Cycle, from “Piece of Emotions” series | 2023 | Acrylic paint, paper, canvas, and clay | 8" x 10"</image:title>
      <image:caption>Cracks of Apollo black-and-white digital photograph 2022, 1539 x 2329 pixels Didyma, Turkey</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/b06c116b-a801-40ac-b03c-95328fc001ca/File_000.png</image:loc>
      <image:title>Sal Art - Esme Allgood | Exposed Nerve | 2022 | Wire | 34” x 10”</image:title>
      <image:caption>With the concept of the body and its limits in mind, Exposed Nerve was inspired by the constriction and mechanics of only working with wire.  Exposed Nerve acts as a physical demonstration of the pressures, guidances, and restrictions present in the artist's life.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/56ccce2d-c3e7-4d12-921a-29d96d490923/State+of+Mind.JPG</image:loc>
      <image:title>Sal Art - George Stoica | State of Mind | 2023 | Oil on canvas | 9” x 12”</image:title>
      <image:caption>Inspired by the natural scenery expereinced during the artist's everyday walks outside, State of Mind spawns from a need to pay homage to the natural world, to document the flora around him as reflecting his tranquil experience taking it in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/d696d00f-f8dd-46e6-8de6-298567b6f45e/File_000.jpg</image:loc>
      <image:title>Sal Art - Romy Binstein | Flowering Anguish, from “Piece of Emotions” series | 2023 | Mixed media with canvas - wire, paper, and charcoal | 8" x 10"</image:title>
      <image:caption>Flowering Anguish is the contrasting piece to Serenity, a work featured in Squinch's 2022, Resurrection issue, and a part of Binstein's “Piece of Emotions” series. Serenity portrays a woman in water. It serves as a reminder that there is no such thing as a straight-lined path in life. Eventually, obsticles appear. Flowering Anguish represents the blossoming of one's soul that can occur when they finally allow themself to experience all their emotions.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/a3190c9a-42ac-4364-abfb-87b4affa3337/20221226_100935.jpg</image:loc>
      <image:title>Sal Art - Romy Binstein | Beautiful Confinement 1 | 2023 | Digital Photography | 4000 × 2250 pixels</image:title>
      <image:caption>These photographs contemplate the manufacturing of artificial paradises in the enclosures at the Arizona Zoo. Animals live longer in captivity than in the wild. But they are still captives, destined to forever live a liminal existence; their lives are in the hands of another species. Ask yourself, who is their enclosure's design for? Those inhabiting, or those visiting? Does it enhance our experience, or does it point toward the environment they will never know?</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/f1ab3b18-0bb5-476b-befa-a12961d61f93/20221226_101039.jpg</image:loc>
      <image:title>Sal Art - Romy Binstein | Beautiful Confinement 2 | 2023 | Digital Photography | 4000 × 2250 pixels</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/72255e37-6561-43b0-99dd-6082e8ef0697/Love2.0+%281%29.png</image:loc>
      <image:title>Sal Art - Lauren Boysa | Untitled Love | 2023 | Oil on stretched canvas | 40" x 47"</image:title>
      <image:caption>In Lauren Boysa’s current work, she prefers to work with saturated colors in oil paint on canvas and works with combining themes of nature and culture to portray a harmonious environment. In these current works, this oneness is expressed through human-animal creatures living an ordinary life. By referencing her own life when creating these compositions, she hopes others can connect and get lost in the universal experience of every piece.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/e7de1e44-5d08-40d5-a207-c216ec7cc26d/%D8%AC%D8%A7%D9%86%D9%85.jpg</image:loc>
      <image:title>Sal Art - Kayla Palmer | (My Dear) جا نم | Oil on canvas | 2023 | 12" x 16"</image:title>
      <image:caption>jfewkf fjf</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/6f0e1cf3-ac83-48cc-bf46-364467ea729b/can+you+feel+my+love+now.jpg</image:loc>
      <image:title>Sal Art - Kayla Palmer | Can You Fell My Love Now? | 2023 | Gauche and Oil on canvas | 11" x 14".</image:title>
      <image:caption>Can You Feel My Love Now? portrays one’s attempt at trying to preserve the memory of a loved one after their passing. This act of preservation takes the soul on a path of reconciliation with feelings of guilt; having not shown someone the full extent of their love while they were still alive. Through various symbols, the work depicts one’s trials at trying to communicate with someone who is no longer here, in hopes that their love will reach them.</image:caption>
    </image:image>
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  <url>
    <loc>https://www.squinchmag.com/deniz-bora-copy</loc>
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    <lastmod>2023-12-30</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/0eb5885e-3df0-46e8-97d7-5736cc8cdd4b/936afeab-0c80-40d4-99da-825f9dfe0ef0.jpg</image:loc>
      <image:title>Kayla Palmer</image:title>
      <image:caption>Photo: Kayla Palmer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/0eb5885e-3df0-46e8-97d7-5736cc8cdd4b/936afeab-0c80-40d4-99da-825f9dfe0ef0.jpg</image:loc>
      <image:title>Kayla Palmer</image:title>
      <image:caption>Photo: Kayla Palmer</image:caption>
    </image:image>
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  <url>
    <loc>https://www.squinchmag.com/george-stoica</loc>
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    <lastmod>2023-12-29</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/ad625370-9973-4248-8f13-48b62b04670d/WhatsApp+Image+2023-12-23+at+4.50.17+PM.jpeg</image:loc>
      <image:title>George Stoica</image:title>
      <image:caption>Photo: George Stoica</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/ad625370-9973-4248-8f13-48b62b04670d/WhatsApp+Image+2023-12-23+at+4.50.17+PM.jpeg</image:loc>
      <image:title>George Stoica</image:title>
      <image:caption>Photo: George Stoica</image:caption>
    </image:image>
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  <url>
    <loc>https://www.squinchmag.com/george-stoica-1</loc>
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    <lastmod>2023-12-21</lastmod>
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      <image:title>Lauren Boysa</image:title>
      <image:caption>Photo: Lauren Boysa</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/60624ec9-8732-4bc5-ad19-ec4eaaf19630/lb.jpg</image:loc>
      <image:title>Lauren Boysa</image:title>
      <image:caption>Photo: Lauren Boysa</image:caption>
    </image:image>
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  <url>
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    <lastmod>2023-12-29</lastmod>
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  <url>
    <loc>https://www.squinchmag.com/esme-allgood-copy</loc>
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    <lastmod>2023-12-04</lastmod>
  </url>
  <url>
    <loc>https://www.squinchmag.com/willa-barry-copy</loc>
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    <lastmod>2023-12-04</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1685918556025-WY51LIM1OPL0YA97GSFT/IMG_8111.JPG</image:loc>
      <image:title>Lauren Glogoff</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1685918556025-WY51LIM1OPL0YA97GSFT/IMG_8111.JPG</image:loc>
      <image:title>Lauren Glogoff</image:title>
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  </url>
  <url>
    <loc>https://www.squinchmag.com/zaya-marz</loc>
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    <lastmod>2024-04-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/502798a7-c12a-4ba9-b043-c25762fcfd7e/16A_00773.jpeg</image:loc>
      <image:title>Zaya Marz</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/502798a7-c12a-4ba9-b043-c25762fcfd7e/16A_00773.jpeg</image:loc>
      <image:title>Zaya Marz</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.squinchmag.com/sal-articles-copy</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2023-12-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/5ed38a03-9ae7-446e-afcf-f1f859b5479c/IMG_1516+2.jpg</image:loc>
      <image:title>Sal Articles - Make it stand out</image:title>
      <image:caption>Image of Dr. and Mrs. King’s grasped arms in Hank Willis Thomas’s The Embrace sculpture. Taken Feb. 5, 2023.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/9665643d-8a69-412c-93fd-dd2d72e41478/IMG_1542+2-3.jpg</image:loc>
      <image:title>Sal Articles - Make it stand out</image:title>
      <image:caption>Photograph of Tyre Nichols’s memorial in Boston Common. Taken Feb. 5, 2023.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1680024928627-0QN4GN8AJXUTQSBXWS4D/IMG_1525.jpg</image:loc>
      <image:title>Sal Articles - Make it stand out</image:title>
      <image:caption>A photograph of Hank Willis Thomas’s The Embrace in Boston Common park, Boston, Massachusetts. Taken Feb. 5, 2023. All images courtesy of the writer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/29c27c81-0359-4aac-a246-2e91b2a163b7/11612304403_22d64078a8_o.jpg</image:loc>
      <image:title>Sal Articles - Make it stand out</image:title>
      <image:caption>Vincent van Gogh, Sunflowers, 1889. Arles, France. Oil on Canvas, 95cm x 73cm. "Netherlands-4029 - Sunflower (Last One of the Van Goghs and one of his greatest)" by archer10 (Dennis) is licensed under CC BY-SA 2.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/2.0/?ref=openverse.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/b138d50b-2ea4-464a-866a-54fc659c3bef/IMG_5393.jpeg</image:loc>
      <image:title>Sal Articles - Make it stand out</image:title>
      <image:caption>Photo: Gabriella Rice</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/d961fe97-4efc-45dd-a639-490f5044b3e4/IMG_0894+%281%29.jpg</image:loc>
      <image:title>Sal Articles - Make it stand out</image:title>
      <image:caption>Alfredo Jaar, I Can’t Go On, I’ll Go On, 2016. Neon, 19 5/8 x 19 5/8 inches. Miami, PAMM.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1685897532038-2V9EUXIROPD04TBZO0OW/IMG_0902+%281%29.jpg</image:loc>
      <image:title>Sal Articles - Make it stand out</image:title>
      <image:caption>Image of the outside of the Pérez Art Museum Miami. All images courtesy of the writer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/f57db210-cc51-484f-8152-8e6b799c6624/IMG_0822.jpg</image:loc>
      <image:title>Sal Articles - Make it stand out</image:title>
      <image:caption>Closeup of the foliage surrounding PAMM’s entrance.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/d4b09097-f668-4774-9833-97f4a12b47e4/IMG_0876.jpg</image:loc>
      <image:title>Sal Articles - Make it stand out</image:title>
      <image:caption>Hulda Guzmán, Under the Flamboyan, 2020. Acrylic gouache on canvas, 47 7/8 x 29 1/2 inches. Miami, PAMM.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/9bb09c1b-1a08-423f-89da-96c0beddd47b/IMG_8106+copy-2.jpg</image:loc>
      <image:title>Sal Articles - Make it stand out</image:title>
      <image:caption>Photo: Emma Shearburn</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/5ed38a03-9ae7-446e-afcf-f1f859b5479c/IMG_1516+2.jpg</image:loc>
      <image:title>Sal Articles - Make it stand out</image:title>
      <image:caption>Image of Dr. and Mrs. King’s grasped arms in Hank Willis Thomas’s The Embrace sculpture. Taken Feb. 5, 2023.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/9665643d-8a69-412c-93fd-dd2d72e41478/IMG_1542+2-3.jpg</image:loc>
      <image:title>Sal Articles - Make it stand out</image:title>
      <image:caption>Photograph of Tyre Nichols’s memorial in Boston Common. Taken Feb. 5, 2023.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1680024928627-0QN4GN8AJXUTQSBXWS4D/IMG_1525.jpg</image:loc>
      <image:title>Sal Articles - Make it stand out</image:title>
      <image:caption>A photograph of Hank Willis Thomas’s The Embrace in Boston Common park, Boston, Massachusetts. Taken Feb. 5, 2023. All images courtesy of the writer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/29c27c81-0359-4aac-a246-2e91b2a163b7/11612304403_22d64078a8_o.jpg</image:loc>
      <image:title>Sal Articles - Make it stand out</image:title>
      <image:caption>Vincent van Gogh, Sunflowers, 1889. Arles, France. Oil on Canvas, 95cm x 73cm. "Netherlands-4029 - Sunflower (Last One of the Van Goghs and one of his greatest)" by archer10 (Dennis) is licensed under CC BY-SA 2.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/2.0/?ref=openverse.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/b138d50b-2ea4-464a-866a-54fc659c3bef/IMG_5393.jpeg</image:loc>
      <image:title>Sal Articles - Make it stand out</image:title>
      <image:caption>Photo: Gabriella Rice</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/e1ca6470-8e70-4472-ac09-56c84cca3286/Deniz+Pfp.jpg</image:loc>
      <image:title>Sal Articles - Make it stand out</image:title>
      <image:caption>Photo: Deniz Bora</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/d961fe97-4efc-45dd-a639-490f5044b3e4/IMG_0894+%281%29.jpg</image:loc>
      <image:title>Sal Articles - Make it stand out</image:title>
      <image:caption>Alfredo Jaar, I Can’t Go On, I’ll Go On, 2016. Neon, 19 5/8 x 19 5/8 inches. Miami, PAMM.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1685897532038-2V9EUXIROPD04TBZO0OW/IMG_0902+%281%29.jpg</image:loc>
      <image:title>Sal Articles - Make it stand out</image:title>
      <image:caption>Image of the outside of the Pérez Art Museum Miami. All images courtesy of the writer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/f57db210-cc51-484f-8152-8e6b799c6624/IMG_0822.jpg</image:loc>
      <image:title>Sal Articles - Make it stand out</image:title>
      <image:caption>Closeup of the foliage surrounding PAMM’s entrance.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/d4b09097-f668-4774-9833-97f4a12b47e4/IMG_0876.jpg</image:loc>
      <image:title>Sal Articles - Make it stand out</image:title>
      <image:caption>Hulda Guzmán, Under the Flamboyan, 2020. Acrylic gouache on canvas, 47 7/8 x 29 1/2 inches. Miami, PAMM.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.squinchmag.com/new-page-46</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-12-21</lastmod>
  </url>
  <url>
    <loc>https://www.squinchmag.com/new-page-44-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-06-22</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/688bba0c-aff5-4e79-9198-62f082b92f56/IMG_1596.jpg</image:loc>
      <image:title>Team (Copy)</image:title>
      <image:caption>Elena Jordan Artist</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.squinchmag.com/new-gallery-3</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-12-14</lastmod>
  </url>
  <url>
    <loc>https://www.squinchmag.com/sal-poetry</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-12-14</lastmod>
  </url>
  <url>
    <loc>https://www.squinchmag.com/new-gallery-4</loc>
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    <priority>0.75</priority>
    <lastmod>2025-12-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1703193265283-R6BCUJ2M93F88VPAITYU/IMG_0515.jpeg</image:loc>
      <image:title>New Gallery</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.squinchmag.com/new-gallery-2</loc>
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    <lastmod>2025-12-14</lastmod>
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      <image:title>Team Pictures</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1685918539361-K6V4TNLY9WWG2LYIGCMS/IMG_8098.JPG</image:loc>
      <image:title>Team Pictures</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1685918539327-Q9DL4CDTBXRTYJKYF5UY/IMG_8099.JPG</image:loc>
      <image:title>Team Pictures</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1685918540814-OWM0KWF8XRR5CJUZJ2UP/IMG_8100.JPG</image:loc>
      <image:title>Team Pictures</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1685918541938-Q0605HFXZOUN5MO8BNV9/IMG_8101.JPEG</image:loc>
      <image:title>Team Pictures</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1685918542824-22Q3ZLSKKZ5ZW70DO2G5/IMG_8102.JPG</image:loc>
      <image:title>Team Pictures</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1685918544373-377R2XUTECPHUIQGL3QQ/IMG_8103.JPEG</image:loc>
      <image:title>Team Pictures</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1685918544793-0G7TC3OZSPEO5FA2RZJZ/IMG_8104.JPEG</image:loc>
      <image:title>Team Pictures</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1685918546357-3SZV8DFVIZA0LIT3WWH6/IMG_8105.JPG</image:loc>
      <image:title>Team Pictures</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b7addeac3c16a264007cdac/1685918548238-UUTBVUBPC8EAPD0XU6G5/IMG_8107.JPG</image:loc>
      <image:title>Team Pictures</image:title>
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      <image:caption>Weary Sun Photo by Lauren Glogoff</image:caption>
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      <image:caption>What does the sun do at night But sit in silence, in sorrow,  Waiting for her blinding sight Seen by those, all those, tomorrow? But tomorrow seems too far to bear, She weeps, she grieves, without alation. With graying golden hairs, she cries with a deep despair: “No way out, the tribulation!” Why does the sun, the wise Divine, Think mortal thoughts in a fixate  Of only now? For now, future lacks define, Intensely blinded by her own damned fate. In her darkness, she is no longer The goddess who shines, but becomes Me and you and he and she. With a hunger For happiness impulsively driving, destroying all her doldrums. But soon her eye will raise the sky  And lonely thoughts begin to fade. For endless shadow-boxing now at rest, Now the morning birds can nest. - Lauren Glogoff (BU ‘24)</image:caption>
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